Hot Rods

The 75th annual O’Reilly Auto Parts Grand National Roadster Show, presented by Meguiar’s, once again proved why it’s the crown jewel of indoor car shows. From January 31 to February 2, the Pomona Fairplex was loaded with the meanest, cleanest roadsters in the country, all gunning for the top prize: the America’s Most Beautiful Roadster (AMBR) Award. This wasn’t just some polished-up car show—this was a throwdown of craftsmanship, power, and pure hot rod passion.

The 75th Annual Grand National Roadster Show went down from January 31 to February 2, 2025, and for those who live and breathe speed, this one hit different. ARP Racing Products turned their booth into a full-blown tribute to land speed legend George Poteet, who passed away last year, leaving behind a legacy that continues to inspire.

If you caught this machine in bare metal at the Rad Rides booth last year, you knew it was gonna be special. But now? Fully finished and flexing some seriously next-level craftsmanship, it’s the total package. From the hand-built body to the insane drivetrain and killer stance, this car just oozes cool.

Boom! Andy Leach and the Cal Auto Creations crew have done it again, taking home the 2025 Al Slonaker Memorial Award with one of the slickest Pontiacs to ever roll through the Pomona Fairplex. This isn’t just another custom—it’s a full-blown, no-expense-spared masterpiece that took seven years to perfect.

While most of us equate the term “bubbletop” with early-’60s Chevys, other GM brands had their own versions of these sleek sport coupes, including Oldsmobile. Although these cars shared the same slim roof design, along with its highly celebrated rear window, other unique changes left no doubt about the special nature of these individualistic and stylish machines.

“Corvette Bill” Bartenstein and his son, Bill Jr., are renowned around the state of Hawaii—more specifically Kailua—for their car-building talents. But that’s not all—at the 2007 Barrett-Jackson auction at Scottsdale, Arizona, a candy-blue Bartenstein-built ’69 Pro Touring Camaro fetched a record $182,000. It just so happens that this Firemist Red ’66 Corvette Sting Ray resto rod—another Bartenstein creation—rolled across the B-J auction block that same weekend and sold for an incredible $130,000. So what makes a Bartenstein-built car so attractive? Let’s take a closer look.

As we’ve come to learn, there’s something special about a ’55 Chevy, particularly when it is fitted with one of the popular Chevy engines that have become so common today. But that’s not the case when the hood is opened on this ’55. It is not the celebrated 265, or one of the more respected LS engines, or even a Chevy big block that captures your attention here. This is something different, and not a Bow Tie at all.

Maurice and Lynne Hoover were already the veterans of two wild project car builds—a ’67 El Camino and a ’67 Camaro—when Maurice decided he wanted to build yet another. He says, though, that when he brought up the subject of another project, his wife, Lynne, was not particularly pleased. Maurice went ahead and brought home a ’67 Nova anyway. While in some situations such a move could have worked out for the worse, before long Lynne came to like the car, and the two dove into the project.

There are all kinds of daily drivers: those called drivers because they have a few road miles on them, so they are not considered show cars; and those that are true daily drivers because they represent your only mode of transportation. Most rodders have been there at one time or another, when all we had were our hot rods to drive. The stories are endless about how these cars were transformed from grocery-getter to show car, but it happens. You use the car for family needs throughout the winter months and then clean it up come spring, maybe even paint the fenders, and enter it in a local rod show.

We scream out of the driveway (or was that me screaming?) and careen across the road sideways, bias-plies searching for grip. First gear loses steam almost instantly, and sometime between gears one and two things don’t mesh. Everything seems to lock up and we slide crossways onto a side road, making an unplanned turn and none too soon of a stop.