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BLUE OVAL IN A BOW TIE

Let’s face it, most of us are working within the confines of a set of unwritten, yet clearly defined, rules of hot rodding. Stance, engine choice and wheels are for the most part selected from a menu of items that come “pre-approved” by our peers. Sure these rules work most of the time, and they provide a degree of certain acceptance when you’re building a traditional pre-’49 hot rod. But all in all, it also makes us a group of conforming nonconformists. However, for some hot rodders (and they are in the minority) building hot rods is about pure ingenuity, a total lack of peer pressure and joy of mixing parts from various sources and making it all work.

Nuthin’ Fancy

Ryan Newman grew up with a steering wheel in his hands. From the age of five, he has been behind the wheel of a racecar. Now, almost 20 years later, Ryan drives for Penske Racing South on the NASCAR Nextel Cup Series. In 2003, Ryan won eight races, 11 poles and was named Speed Channel’s Driver of the Year. In 2004, he will be driving a Dodge sponsored by primary sponsor Alltel with associate sponsorship form Mobil 1 and Sony Electronics on 38 weekends.

BIG ON STYLE

Although there is no set list or solid criteria we look for when choosing a feature car, we typically know the instant we’ve found one. Sometimes it’s a flawless paint job and subtle body mods that draw us in; other times, it’s a fully built motor loping angrily. Other times, though, we come across a car that is just plain cool—not the fastest, or even highly modified, but the kind of car you just look at and say, “Wow, check out that…” So it was at Goodguys Charlotte this year: sitting proudly in the mist and drizzle was Doug Wayne’s ’66 Galaxie convertible. At Auto Builder, we have a soft spot for large vehicles, and, realistically, Ford is not known for making many great small cars. Even small Fords are big, and if you don’t believe us, stick an early Falcon next to a Scion. But few companies do big as well as Ford, and even from a distance, we knew this Galaxie was as cool as it is long.

HORSE OF A DIFFERENT COLOR

Looking at the Stallion shows the influence of Unique Performance on Foose’s design. Actually, once you really sit down and look at the car, it appears to be a collage of design features from classic Mustangs, all herded together on the same car. The new front fascia replaces the stock headlight buckets with a large round light and smaller driving light, and this arrangement looks very similar to that found on the Unique G.T.500E. Horizontal billet bars replace the stock honeycomb mesh in the upper grille, shaped very much like the original ’65 grille, down to the offset Foose badge in place of the stock Mustang emblem. The lower grille contains another pair of round lights and more billet bars.

MUSCLE PERFORMANCE ’69 CAMARO

we learned that three important players in the hot rod industry—Chip Foose, Unique Performance and Year One—were coming together for a unique collaboration. Their combined goal was to build a limited-production-built car. Unique Performance already has just such a business, as it builds and sells its continuation Shelby Mustangs.

Well Worth The Wait

Is a love for fast cars—specifically those that are Chevrolet-powered—hereditary? If you were to ask C.A.T. Operations Engineer Kevin Christensen of Castaic, California, he would definitely say that it is.

Fade to Black

Sitting slightly nose-high and looking that much more restrained with dog dish hubcaps framed in bias-ply blackwalls, this ’62 Chevy bubbletop is as sinister as it is subdued. In fact, as smooth as these panels are, one has to wonder if this car has ever broken a sweat or even turned a wheel with aggression since it rolled off the showroom floor.

Totally Awesome Elky

“I started building this car a little over 15 years ago after completing a Pro Street ’70 Camaro RS for my then-16-year-old son, Brad,” says overhead door installation specialist Jim Meltzer of Ventura, California. “I always had the urge to build a ’59 Pro Street Chevrolet El Camino (hence the nickname “U.S. Pro-1”), having owned one of those cars when I was just 21 years old,” he says. “Forty years later, the ’60 came along, and I figured that was close enough. The El Camino project was a joint collaboration with my sons Brad and Rod, and it got off to a great start. We made plans for a big motor and even built a full rollcage for that huge hunk of steel with the intentions of actually racing it.”

SODA BLASTING

When starting any project that requires bodywork, rebuilding or even repainting, the first question is always, “What could possibly be lurking under the old paint that could come back and haunt us later?”

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