Car Modification
When Jim Anderson builds a car, he really builds it. Other than paint and a few of the more intense aspects of the interior, he takes on the task of reconstructing the entire car into what he thinks it should be. And when asked what he thinks a vintage car should be, he responds that it should be fast and handle well.
During the muscle-car wars of the ’60s and early ’70s, few companies produced motors that were surrounded by the kind of aura that ebbed and oozed like a fog around Mopar. Engines like the 426 Hemi, 426 Max Wedge and 440 Six Pack were among the most coveted and feared of the era. It says something of a car company’s commitment to power and performance when a multi-carbed 440 big block is not the most wanted engine in a manufacturer’s lineup. So it was with Mopar, because for many, the 440 was the engine you got if you couldn’t afford or couldn’t find the car you wanted with a Hemi.
Every creative endeavor, from fine art to mechanical invention, requires some type of high-wire act—a unique and delicate balance between vision, creativity and capability. When the cogs align, and the elusive look rises to the forefront, there’s no questioning the purity of its origin.
It’s been said that in a perfect world creativity would flourish without criticism. Most attempts to reach a certain artistic understanding are generally met by some degree of judgment, and sometimes offhanded ridicule. Call it a misunderstanding, envy even, but the bottom line comes down to outrageous personal expression, whether some understand the need for it or not.
If you’ve ever imagined a time when you could simply pick up the phone or send an e-mail to General Motors and order the engine of your dreams, pull it out of a box delivered to your door and plug it into the car of your dreams, then stop dreaming as that time has come. While it’s not new information that GM Performance Parts provides an assortment of engines to choose from, it’s never been easier to select the one that is best for your budget and the intended purpose of your car.
The name Cusco is synonymous with high-end, well-made performance parts. Even though we don’t often see Cusco parts on U.S. soil, when someone has them, people seem to recognize the parts immediately. Cusco specializes in many specific aftermarket automotive parts, but this month we’re going to get a firsthand look at the ins and outs of installing a six-point Cusco cage into a Nissan 240SX.
Instant gratification. It’s an addicting thing whereby somewhat suddenly, you find compete satisfaction. It’s the opposite of long, laborious projects that linger on for years, doling out their pain and pleasure in measured portions along the way. Sure, it can be fulfilling, but few things are more fun than putting things in fast-forward and doing what should take a long time in a short time. TV shows are based on just such rewards in this ever-accelerating time we live in, and in a reversal, we now find life imitating art as hot rodders do their own versions of Overhaulin’; we like to call it Over-Thrashin’. Generally, there are no cameras whirling, no lights and no scripts. It’s just a bunch of hot rodders, a good garage and maybe stacks of empty pizza and parts boxes in the corner.
To say that the Fox-body Mustangs have been among the favorites of Ford performance enthusiasts since they began production in 1979 is like saying Henry Ford did okay. Even those without an eye for the obvious know that, by sheer numbers alone, these highly effective, as well as affordable, machines rule the streets of America. And while ’79-’93 Mustangs may lack some of the technological advancements found in Ford showrooms today, there’s an abundance of components available through the aftermarket that will make up for that shortcoming, and lots more.
“I started building this car a little over 15 years ago after completing a Pro Street ’70 Camaro RS for my then-16-year-old son, Brad,” says overhead door installation specialist Jim Meltzer of Ventura, California. “I always had the urge to build a ’59 Pro Street Chevrolet El Camino (hence the nickname “U.S. Pro-1”), having owned one of those cars when I was just 21 years old,” he says. “Forty years later, the ’60 came along, and I figured that was close enough. The El Camino project was a joint collaboration with my sons Brad and Rod, and it got off to a great start. We made plans for a big motor and even built a full rollcage for that huge hunk of steel with the intentions of actually racing it.”
“I shouldn’t have sold that car.” How many times have you heard an enthusiast make that statement? It seems that a great many of us regret selling our favorite rides over the years, whatever the reasons.
